As the artistic director and guru of Kalairani Natya Saalai, for 20 years, and known for having a large collection of Bharatanatyam costumes (I have often joked that I could have built a house for the amount of money invested in KNS costumes and props), I have given my thoughts about the Bharatanatyam costume in this section.  I trust it will be useful to my own students and others.                                                                   -- Rani

About KNS www.ranidevi.com/kns.htm

About Christian items www.ranidevi.com/Christian.htm

About dance tapes you cannot get anywhere www.ranidevi.com/dancetapes.htm

About my dear Sishyas www.ranidevi.com/Sishyas.htm

About myself www.ranidevi.com/guru.htm

History

The world existed with 4 vedas; VEDA means philosophy.  The four Vedas were RIG, ATHARVA, SAMA, YAJUR.  Sages felt these Vedas were too rigid and wanted something more uplifting and enlightening.  God INDIRA came up with the idea to create a 5th Veda and told God BRAMMA who reviewed the presentation and summoned sage BHARATAMUNI to undertake the task.  (Muni means sage so actual name is Bharata).  Bharatamuni took assistance from TANDU who felt there was a lack of grace called LASYA or LAYA so a 100 APSARAS (females) were created to portray grace. It was only after that, Shiva mastered the dance style. Words (Vachikkam) were taken from RIG Veda.  Emotions (Saatvikkam) were taken from ATHARVA Veda.  Music was taken from SAMA Veda. Gesture (Aangikkam) was taken from YAJUR Veda. 

 

And a 5th Veda called NATYA Veda was created.  A 5th element of AHARYAM or Décor was added to this Natya Veda. 

 

Sloka on Shiva goes like this:  Aangikkam Bhuvanam (your gesture is the world) yeshya (and) Vachikkam Sarva Vaang Mayam (your words/music prevail every where in all languages); Aharyam Chandra Taraditvam (your décor is the moon and stars); namaha (we bow) Saatvikkam Shivam (your emotion is Truth).

 

The present costume is about 60-70 years old.  Here are two pictures of what the costume looked when the Devadasis wore them in the 18th century.  In fact, cinema in the 50’s played a vital role in reviving Bharatanatyam and the costumes worn then were quite different.

 

KNS 1st Bharatanatyam costume

As a child I danced mostly for my mother and my brother – their face lit up with a smile and a sparkle and those were my biggest applause.  When I was ready to come to USA in 1979, my brother requested me to teach dance to his daughters so I brought this costume along with me and have extensively used it.

 

 

 

Jewelry

Salangai is sacred.  Traditionally, the student should take the blessings of the Guru (Teacher) before wearing it each time.  It should be worn only during the dance performance. The little bells above the ankles are made of bronze; they have sacred meaning and emphasize the rhythm of the dance.

 

HAIR – having long hair is the foremost requirement if you are training to be a Bharatanatyam dancer.  I am proud to say that many of my students (being raised in USA) have long hair that they do not have to use false hair for performances.  Even if you are using false hair, your original hair should be 5 inches below the shoulder

 

Flowers:  White jasmine flowers should go around the Rakkodi so half inch of the flower is seen from a front profile.

 

Make-up:  Use long lasting base to match your complexion. Care must be taken in highlighting the eyes!

 

Pottu (TilakBindhi) should be a noticeable red dot.

 

Mehndhi – Finger tips, palms and toes are colored in red to symbolize the petals of the red lucky lotus. Designs should be

1.      Front and back of the palm

2.      On the feet

(a)   swastikam (b) flower (c) leaf

 

 

·  Nethi Chutti should be placed quarter inch above the hair.

 

·  Mattel --  ThoduJimmikki (earring)

 

·  Mookuthi (nose ring)

·  Necklace or choker

·  Muthu Maalai (bead necklace)

·  Kaasu Maalai (coin necklace)

·  Vallayal (bangles) & Rings

·  Odiyanam  (belt)

·  Raakkodi (goes at the back of the head on top of the bun)

·  Kunjalam    (at the tip of the braid)

 

 

What you should know about Bharatanatyam Costume…

I. Material

The two types of materials – (a) China Silk (b) Dharmavaram

(a) China Silk with attached borders is half the price of Dharmavaram – which is art silk that has a grand look.  If you are a child artiste or a Junior who will most likely outgrow the costume, then you should go for China Silk. 

(b) Dharmavaram has a richer look and naturally is twice the cost.  It is not pure silk like Kancheevaram but for the same richness you would have to pay 10 times the price if you go for Kancheevaram pure silk.  Since this is not a daily wear, you can easily settle for art silk.  One important feature when you buy the saree, if you are a teenager or an adult, make sure the Dharmavaram saree has double side borders.  If you shop in Chennai, you can specify you are looking for a saree to make a Bharatanatyam costume.  In fact, at Kumarans, they have a special section only for this type of sarees.

 

II.  How many

If you are a beginner or a Junior and under 15, then it is best to use China Silk and own only one costume.  Try to use the costume several times in a year, before you outgrow; and when you do, dry clean it and hand it to your sibling or a friend or another dancer for a lesser price.

 

If you are preparing for an Arangetram, it is best to have 4 costumes. (1) Pick the color that will give you confidence and use it for the opening items (Anjali, Gouvthvm, Shabdam etc.). This should be pant type. (2) Use the 2nd pant type for Varnam (3) Use the skirt model for after intermission -- for the padhams (4) Keep your favorite (pant type) for Tillana and Mangalam – you will be meeting people and taking pictures after the show.

 

III.  Blouse

You should next decide the pattern of the blouse according to your age  which are basically three types

 

1)     For a child – small fan type

2)    For bigger girls --  dhaavani’ type sewn on the blouse

3)    Saree look

 

 

 

 

IV. Pattern

Here are 12 different patterns to choose from

1.      TR     Traditional – where the saree paloo is made into a fan

2.     1F      One long fan (some tailors refer to this as sun fleet) –

3.     2F      Two Fan

4.     3F      Three Fan

5.     3FP    Three Fans from paloo 

6.     SK     Skirt model

7.     SA     Saree model

8.     CRP    Pant cross model

9.     CRS   Skirt cross model

10. DW    Dwaraka

11.  PV      Paavai Vilakku

 

Here are some samples

TR:  The traditional style is normally done with a saree where the paloo (munthanai) is used as one fan.  Sometimes the blouse matches with the fan

 

1F:  One Fan -  and how is this different to the Traditional style  – this can be done with both China Silk and Dharmavaram.  Notice how the blouse matches with the band.  

 

 

 

 

 

 

2F:  Two Fans – you can use China Silk or Dharmavaram

 

3F:  Three Fans --  this is the most common type because the glamour is seen more in three levels in the fan.  You can use China Silk or Dharmavaram

 

3FP:  Three Fans with a Paloo in between.  This is identified as a separate section because if you have a fancy paloo in the Dharmavaram saree and yet want a different look, you can use a variation like this.  This model is three fans but in between you use a larger piece from the paloo.  Notice in one of these, the same Paloo matches the blouse.

 

SK - Skirt model.  This is very common especially for teens and adult dancers.  If you are preparing for an Arangetram, it is best to have at least one in this model, to use for padhams after the intermission.  Avoid using Skirt model for items that have a lot of jathis.  Although you see here a picture of a child wearing such a model, it is not meant for small children.

 

SA - Saree model.  The only difference between the Skirt and Saree model, I would think, is the hanging of the paloo to the side.

 

CRP – Cross model – pant type.   This is a newer trend where the adaptation is from Kuchupudi models.  You can have this as a secondary costume, not primary.

 

CRS – Cross model – saree type.   Same as above but saree style.  Again, you should have such a costume only as a secondary piece, not as the main (primary) costume.

 

DW – Dwaraka style.  This is pant or saree style but the border runs in the middle.

           

PV – Paavai Vilakku style.  Paavai Vilakku means ‘lamp’. This seems to be the most recent style.  Again, in my opinion, you should keep this as a secondary costume.  There is not much glamour in the fan, but looks pretty.

 

V. Care

·        Bharatanatyam costumes are made in India.  The tailoring charge is very expensive due to the elaborate workmanship.  You should treat them like GOLD!

·        It’s advisable to use panty hose, so the sweat does not affect the costume.

·        If the program is long, carry a change of clothing.  It is disrespectful to walk around with the costume and salangai.

·        Watch out for the hand paints – such stains are not easily removable.

·        Bharatanatyam costume should not be machine washed.  It should be dry-cleaned, making sure the dry cleaner has experience handling these type of costumes.


VI. Measurement

Bharatanatyam costume is tight (and exact) fitting.  If you have a

tendency of changing size (gaining weight) be sure to tell the tailor to leave space for adjusting later.  Ask that the blouse be stitched shirt style, which will make it easier to expand, if need be.

 

Here’s how you take the measurement (here’s an easy way to remember)

6 Horizontal    (a-b1-b2-c-d-e)

3 Top Vertical  (f-g-h)

3 Bottom Vertical (i-j-k)

3 Sleeves  (l-m-n)

 

Fill/Cut/Copy this down

a.     neck bone to shoulder              ________

b1 above bust around (under armpit)_______

b2 on bust around                          ________

c.     waist around                              ________

d.     hip around                                 ________

e.     ankle around                              ________

f.     shoulder to bust mid point          ________

g.     shoulder to below bust               ________

h.     shoulder to waist                       ________

i.        waist to hip (band length)           ________

j.      waist to knee                             ________

k.     waist to ankle                            ________

l.        around the armpit                      ________

m.   length of sleeves                        ________

n.     around arm (end of sleeve)         ________

 

figure drawn by

KNS Graduate, Geeta Etwaroo